Dizem que o Fantasma tem mais de 400 anos. Dizem. E nós dizemos, avisamos, que o Monstro de Estugarda está refugiado no Portucale...quiçá congeminando novos crimes. Achtung!
As autoridades policiais de Estugarda, esgotadas de procurar e não encontrar, resolveram pura e simplesmente negar a existência deste Zelig criminal, atribuindo a criação deste mito Série B às alterações climáticas e à reunificação alemã. Uma explicação que não convence, mas já se sabe que as bófias- um ‘universal’ segundo a doutrina do Táxi Pluvioso- têm pouca imaginação. Humor, um pouco mais.
O “2+2=5” teve acesso a parte, insuficiente, do dossiê secreto da Polizei, onde, sob o intrigante genérico de ÉCS-FÓLIO MONSTRO AVANTI, se encontram algumas pistas que podem conduzir à identificação do Homem Invisível de Estugarda. Que ele existe, existe, como às bruxas de Caldéron andam por aí.
De acordo com o écs-fólio, o senhor F- vamos abreviá-lo deste modo- poderá ser filho ex-vitro de Andreas (Baader) e Ulrike (noInhofe), prolongando a actividade numa fracção do Exército Vermelho, especializada em armas inócuas e soft power. F invejava o doutor Mengele e a aristocracia penitente. Desloca-se num vistoso Trabant laranja e arenga às massas: AVANTI, AVANTI, AVANTI, hoje a Suábia, amanhã Setúbal e pelo Rio SADE acima.
No supracitado dossiê da bófia estugardense, mais precisamente, nos capítulos clínicos, existe uma referência gralhada à Afasia. Aphatos.
“Loss of the ability to produce and/or comprehend language…Depending on the area and extent of the damage, someone suffering from aphasia may be able to speak but not write, or vice versa”.
Apenas como nota bibliográfica fantástica, recomenda-se o Tratactus sobre a Suruma, exemplar único, encontrado no espólio mineiro de J.H. Barros. Moçambicano exilado no resto mundo, em resultado das perseguições dos Inimigos da Liberdade, Barros demonstrou que qualquer lesão cerebral na área de Broca, aquela mesmo da linguagem, pode ser ultrapassada com o consumo moderado, médico, assistido, de Suruma. Ou seus heterónimos.
Bom, de regresso ao Senhor F. A bófia de Estugarda, seja prestada a devida vénia, não se poupou a esforços para chegar ao pelo do Monstro. Tanto assim é que, no derradeiro parágrafo do dossiê, os investigadores admitem ter circunscrito nos 500.001 habitantes da área metropolitana, o subgrupo em que F está dissimulado: 6 anões, 4 bófias and lots and lots of scientologists. Como diria o Padre António Vieira, venha o diabo e escolha. “Sehr cool! Der artist ist klasse! Die ziehen ja in Suddeutschland hren psychatrie-bullshit echt konsequent durch”.
Pedimos desculpa, mas não segue traduzido porque nos roubaram o dicionário trilingue- germão, saxão, tugão-, publicado em 1943 pelo filólogo luso-britânico, e Ás da RAF, Major (Jaime Eduardo de Cook) (e) Alvega.
Entretanto, o “2+2=5” apurou que a nossa bófia, sim, tantas vezes objecto de acusações de preguiça e desvalor, já topou com o Senhor F. Pelo menos, sabe quem ataca, como ataca, onde ataca. Ataca na blogosfera, segundo a mais moderna comPOSTagem de resíduos e assina geralmente FAR, FER, FIR, FOR ou FUR, ou um dos seus heterónimos: Croquete e Batatinha!
Mostrar mensagens com a etiqueta Estugarda. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Estugarda. Mostrar todas as mensagens
segunda-feira, 8 de setembro de 2008
quinta-feira, 21 de fevereiro de 2008
Água - Exposição em Estugarda e Berlim
ifa-Galerie Stuttgart
Schauplatz Natur
No colour, nor taste, it is odourless and always elusive – and yet, water is the stuff from which life once sprang, the metaphor for anything unfathomable, a matter of emotion and yearning, and thus a subject for art. But in the meantime water has also become a most vitally important issue for the 21st century’s world: a natural force, a commodity rather than a myth, a weapon instead of a human right. For this reason the Institute for Foreign Cultural Relations has invited seven artists for its new exhibition at ifa gallery, Stuttgart, to have a critical look at water: water as a natural resource and the elixir of life, but also a risky political issue, especially in Africa and the Middle East.
In their photos, videos and installation works Taysir Batniji, Erdal Buldun, Bright Ugochukwu Eke, Lutz & Guggisberg, Mohamed Romène, Sérgio Santimano und Benjamin Wild explore various aspects of mankind’s relation with water. While being highly critical of our reckless behaviour towards this precious liquid they nevertheless all dive in with relish. They give us something to think about, but above all they invite us to experience this elusive element in symbolic images that are full of sensuousness.
Benjamin Wild (*1981, Cologne) raises the issue on a global scale: in his installation of books and digital media he turns water and land upside down and confronts the viewer with the question “What if…” the sea became land and the land turned into sea? Lutz & Guggisberg (*1968 and 1966, Zurich) combine nature and culture in a playful and wondrously subversive way: their video installation “Once, I heard him, and he was washing the world then” sounds the depths of the relation between man, technology and nature and soundly undermines them.
It is not only global issues but also local “water problems” that can become the subject of artists when dealing with “man’s and water’s needs”: So, Bright Ugochukwu Eke (*1976, Nsukka), in his installation „Shields“, focuses on acid rain in Nigeria, while Taysir Batniji (*1966, Palestine und Paris) will develop a work, that, in a gentle and poetic way, deals with water not only as matter and carrier of meanings, but also with its political implications of water as a weapon and commodity: he will write down the 109 different Arabic names for water with water. They will evaporate, dry out and disappear, thus symbolizing the importance of water in many regions especially of the Middle East where it is in short supply and can become the cause for wars.
Yet, despite all hardships connected with water, it is also a matter of joy! In his photographs Sérgio Santimano (*1956, Uppsala und Maputo) gives us a glimpse of life in Moçambique with much, sometimes too much, but also sometimes much too little water. Mohamed Romène (*1967, Hammamet) will show a series of photographs portraying a Tunesian hamam and its bathers; the public bath, both the space and its rituals, is in imminent danger of becoming extinct, in Europe as well as in the Arabic world. Erdal Buldun (*1964, Munich) visualises his own longing for life by the sea, a longing instilled by his childhood days in Izmir at the Mediterranean coast of Turkey and shared by so many other people: water as the very source of happiness. In their work these three photographers present us with water, this liquid godsend, which we drink, wash with, which we immerse ourselves in, fish in and by which we dream.
Nature and the environment are the main focus of “on stage: nature”, a series of exhibitions for the ifa galleries in 2008/2009.
The exhibition is accompanied by a fully illustrated 64 pages catalogue, with essays by Malu Halasa, Iris Lenz, Peter Weber, Mia Couto and others. Available at ifa for the price of 14 Euros.
Dates
ifa gallery Stuttgart
22.02. – 04.05.2008
ifa gallery Berlin
16.05. – 20.07.2008
Artists
Taysir Batniji
Erdal Buldun
Bright Ugochukwu Eke
Lutz/Guggisberg
Mohamed Romène
Sergio Santimano
Benjamin Wild
Pressevorbesichtigung
Donnerstag, 21. Februar 2008, 11 Uhr
Ausstellungsdauer
22. Februar – 4. Mai 2008
Öffnungszeiten
Di, Mi, Fr – So 12 – 18 Uhr; Do 12 – 20 Uhr
Eintritt frei
Führungen mit einem Glas Sekt
28. Februar 2008, 24. April 2008 jeweils 18 Uhr
6. und 13. März 2008 jeweils 18.30 Uhr
Führungen für Gruppen nach Terminabstimmung
mit Frau Alber, Tel. 0711/22 25-161
Kinderprogramm – Wasserspiele:
Samstag, 19. April 2008 14 – 15.30 Uhr
Samstag, 26. April 2008 15.30 – 17 Uhr
Wir erzählen Geschichten vom Wasser und basteln Fische, Schiffe und Störche.
Mit den Clowns Tscho-Tscho und Ziff veranstalten wir ein Froschkonzert!
Weitere Informationen:
Stefanie Alber: alber@ifa.de, Tel. 0711/2225-161
Iris Lenz: lenz@ifa.de, Tel. 0711/2225-150
www.ifa.de
Wasserlust und Wassers Not
Einladung zur Eröffnung
Donnerstag, 21. Februar 2008, 18 Uhr
Begrüßung
Elke aus dem Moore
Leiterin Abteilung Kunst
Institut für Auslandsbeziehungen
Einführung
Iris Lenz
Schauplatz Natur
No colour, nor taste, it is odourless and always elusive – and yet, water is the stuff from which life once sprang, the metaphor for anything unfathomable, a matter of emotion and yearning, and thus a subject for art. But in the meantime water has also become a most vitally important issue for the 21st century’s world: a natural force, a commodity rather than a myth, a weapon instead of a human right. For this reason the Institute for Foreign Cultural Relations has invited seven artists for its new exhibition at ifa gallery, Stuttgart, to have a critical look at water: water as a natural resource and the elixir of life, but also a risky political issue, especially in Africa and the Middle East.
In their photos, videos and installation works Taysir Batniji, Erdal Buldun, Bright Ugochukwu Eke, Lutz & Guggisberg, Mohamed Romène, Sérgio Santimano und Benjamin Wild explore various aspects of mankind’s relation with water. While being highly critical of our reckless behaviour towards this precious liquid they nevertheless all dive in with relish. They give us something to think about, but above all they invite us to experience this elusive element in symbolic images that are full of sensuousness.
Benjamin Wild (*1981, Cologne) raises the issue on a global scale: in his installation of books and digital media he turns water and land upside down and confronts the viewer with the question “What if…” the sea became land and the land turned into sea? Lutz & Guggisberg (*1968 and 1966, Zurich) combine nature and culture in a playful and wondrously subversive way: their video installation “Once, I heard him, and he was washing the world then” sounds the depths of the relation between man, technology and nature and soundly undermines them.
It is not only global issues but also local “water problems” that can become the subject of artists when dealing with “man’s and water’s needs”: So, Bright Ugochukwu Eke (*1976, Nsukka), in his installation „Shields“, focuses on acid rain in Nigeria, while Taysir Batniji (*1966, Palestine und Paris) will develop a work, that, in a gentle and poetic way, deals with water not only as matter and carrier of meanings, but also with its political implications of water as a weapon and commodity: he will write down the 109 different Arabic names for water with water. They will evaporate, dry out and disappear, thus symbolizing the importance of water in many regions especially of the Middle East where it is in short supply and can become the cause for wars.
Yet, despite all hardships connected with water, it is also a matter of joy! In his photographs Sérgio Santimano (*1956, Uppsala und Maputo) gives us a glimpse of life in Moçambique with much, sometimes too much, but also sometimes much too little water. Mohamed Romène (*1967, Hammamet) will show a series of photographs portraying a Tunesian hamam and its bathers; the public bath, both the space and its rituals, is in imminent danger of becoming extinct, in Europe as well as in the Arabic world. Erdal Buldun (*1964, Munich) visualises his own longing for life by the sea, a longing instilled by his childhood days in Izmir at the Mediterranean coast of Turkey and shared by so many other people: water as the very source of happiness. In their work these three photographers present us with water, this liquid godsend, which we drink, wash with, which we immerse ourselves in, fish in and by which we dream.
Nature and the environment are the main focus of “on stage: nature”, a series of exhibitions for the ifa galleries in 2008/2009.
The exhibition is accompanied by a fully illustrated 64 pages catalogue, with essays by Malu Halasa, Iris Lenz, Peter Weber, Mia Couto and others. Available at ifa for the price of 14 Euros.
Dates
ifa gallery Stuttgart
22.02. – 04.05.2008
ifa gallery Berlin
16.05. – 20.07.2008
Artists
Taysir Batniji
Erdal Buldun
Bright Ugochukwu Eke
Lutz/Guggisberg
Mohamed Romène
Sergio Santimano
Benjamin Wild
Pressevorbesichtigung
Donnerstag, 21. Februar 2008, 11 Uhr
Ausstellungsdauer
22. Februar – 4. Mai 2008
Öffnungszeiten
Di, Mi, Fr – So 12 – 18 Uhr; Do 12 – 20 Uhr
Eintritt frei
Führungen mit einem Glas Sekt
28. Februar 2008, 24. April 2008 jeweils 18 Uhr
6. und 13. März 2008 jeweils 18.30 Uhr
Führungen für Gruppen nach Terminabstimmung
mit Frau Alber, Tel. 0711/22 25-161
Kinderprogramm – Wasserspiele:
Samstag, 19. April 2008 14 – 15.30 Uhr
Samstag, 26. April 2008 15.30 – 17 Uhr
Wir erzählen Geschichten vom Wasser und basteln Fische, Schiffe und Störche.
Mit den Clowns Tscho-Tscho und Ziff veranstalten wir ein Froschkonzert!
Weitere Informationen:
Stefanie Alber: alber@ifa.de, Tel. 0711/2225-161
Iris Lenz: lenz@ifa.de, Tel. 0711/2225-150
www.ifa.de
Wasserlust und Wassers Not
Einladung zur Eröffnung
Donnerstag, 21. Februar 2008, 18 Uhr
Begrüßung
Elke aus dem Moore
Leiterin Abteilung Kunst
Institut für Auslandsbeziehungen
Einführung
Iris Lenz
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